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Jimmy Bryant
was among the first country-jazz guitarists, known
for his fluent lines and dizzying technique. His
solo records and duets with West were classics. As
with the music of Django Reinhardt, Charlie
Christian, and Jimi Hendrix, any guitarist can
draw inspiration from Bryant. And, like the other
guitar pioneers, his recordings still sound years
ahead of their time, and probably always will.
When Jimmy
Bryant died of lung cancer in 1980, the incredible
loss was barely noticed nationally. There were no
lengthy obituaries, retrospectives, or deep
analyses of his contributions, despite his
pervasive influence on both country guitar and
instrumental styles.
Jimmy was bom
John Ivy Bryant, Jr., in Moultrie, Georgia, on
March 5, 1925 (his longtime nickname was “Ivy”).
The oldest of 12 children, he learned fiddle from
his dad, a sharecropper. Bryant's first shoes and
overalls came from five dollars in tips he made
from fiddling in town. The money also helped feed
the family during the Depression, but it was a
rough existence. “My grandfather used to lock him
in the room or beat him if he didn't practice the
fiddle,” says Jimmy's son, drummer John Bryant.
It was not much
of a childhood, and hating the drudgery of the
farm, Jimmy sometimes ran away. When World War II
began, he saw his way out and joined the Army in
1943, serving in the infantry in Europe. “He was
wounded in Germany,” his son remembers. “A grenade
went off and wounded him in the hand and the head.
They put him in Special Services.”
Transferred
stateside, he convalesced in a Washington, D.C.
hospital. Since a country fiddler was not needed
in his Special Services unit, he had time to begin
listening to jazz guitar seriously. Beginning on a
Stella acoustic in the hospital, the 20-year-old
progressed quickly, influenced by guitarist Tony
McttDla and by the recordings of Django Reinhardt.
After meeting
Speedy West, the two eventually sat down to play
together. “I just knew that it was right, and he
did, too,” West says of their first jam session. A
local 250-watt radio remote hookup from the Fargo
Club proved Bryant's redemption. West Coast
western swing vocalist/bandleader Tex Williams
heard him and phoned the club one night to invite
Jimmy to record with him.
Jimmy and
Speedy also began getting substantial session
work. They were the nucleus of Capitol's West
Coast country music “house band,” featured on
numbers such as Tennessee Ernie Ford's rollicking
1950 hit “Shotgun Boogie,” sessions with singer
Ella Mae Morse, and many more. They did scores of
dates with other artists, and for several years
were the busiest country sidemen on the West
Coast, a point of intense pride for Jimmy.
The Bryants
moved to Nashville November 1974, but Jimmy didn’t
fit into Nashville's musical establishment, which
then mistrusted outsiders. He openly defied their
unwritten rules of etiquette. Patty Bryant
explains: “They'd say, ‘You don’t go down on
Broadway; you don't go down to all the bars and
dives and sit and jam.’ And Jimmy would rather sit
and play for nothing than play for money.”
On March 3,
1976, he organized an historic jam session LP in
Nashville with nine legendary pedal steel players:
Speedy West, Julian Tharpe, Buddy Emmons, Jimmy
Day, Hal Rugg, Lloyd Green, Maurice Anderson,
Curly Chalker, and Doug Jernigan. With backing
from Bryant, bassist Henry Strzlecki, saxophonist
John Gore, and jazz drummer Louis Bellson, It's
The First Time consisted of three extended jam
sessions two Bryant compositions and a 20-minute
jam on the old standard “Lonesome Road.”
In the summer
of 1977 Jimmy contracted the flu, and it stayed
with him when he visited California and worsened
into pneumonia back in Nashville. A heavy smoker
who spent years in equally smoky clubs, Jimmy
entered a Nashville VA hospital late in 1978.
Exploratory surgery revealed a malignant tumor in
one lung that had spread beyond.
In April 1980,
he went back to Moultrie. “He wanted to go home to
die,” Patty remembers. After a final trip to
Nashville that June, he returned home in July.
Time was running out. Jimmy entered the hospital,
where he died on September 22; he was buried in
the Bryant family plot. A guitar, his signature,
and the slogan “Jesus' Guitar Man” (based on the
title of a song he'd co-written) were engraved on
his headstone.
From:
THE JIMMY BRYANT STORY
By Rich Kienzle
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